Noise Remover Vst Free
Redunoise is a versatile noise reduction plug-in that has some surprising tricks up its sleeve, particularly in the realm of creative EQing. Although it is free, it definitely measures up to even some of the best payware offerings available. Sound Recovery by Bitsonic.
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- Wavasour is a feature rich audio editor, and is a very good free software to reduce noise from audio. Noise reduction is not a native feature on this software, however you can reduce noise from audio with the help of a plugin. The plugin is known as ReaFIR VST plugin.
Having trouble getting rid of noise in your audio, but don’t have the cash to spare for a payware noise reduction plug-in?
You might find what you need in this selection of the best free noise reduction plug-ins available. You’d be surprised that they’re capable of what they can do, with a variety of functions that can deliver performance that is at least equal to that of their paid counterparts.
Let’s take a closer look!
Free Noise Reduction Plugins
Also check out our Top VST Plugin Roundup
ReaFIR by Cockos
Cockos is known primarily for Reaper, an excellent shareware–practically freeware–DAW that can stand toe-to-toe with the best fully-fledged DAWs costing hundreds of dollars more. The company also has a line of very capable plug-ins, one of which is the ReaFir dynamics processor.
Specs and useful features
An FFT-based plug-in, ReaFIR is a dynamics processor that pulls off some need tricks. The “FIR” in the name stands for “Finite Impulse Response”, which refers to a variety of functions revolving around FFT spectrum analysis.
Most of these functions have to do with EQing and dynamics processing, both of which are typically employed in noise reduction circuitry. But ReaFIR can do more than clean up hissy signals. It also serves as a gate, a compressor, and a dedicated EQ. It is especially capable of precise EQing and compression, so you could expect to get much more use out of it than from most any noise reduction plug-in on the market.
User impressions
Unsurprisingly, many users found ReaFIR to be more effective at removing noise than many other dedicated noise reduction plug-ins. The onboard features makes it a very capable and versatile EQ that can be used for ultra-precise sound shaping and even for mastering. In fact, many users have found it to be useful at various stages of the production and mixing processes.
Bottom-line
ReaFIR stands apart from most other noise reduction plug-ins with its wealth of pro features and flexible capabilities. Even if this were a paid plug-in, we would still recommend adding it to your arsenal of sonic enhancement tools.
Redunoise by Voxengo
Voxengo Redunoise is a high-resolution noise reduction plug-in that provides a wide range of controls for reducing and eliminating noise. A comprehensive noise reduction system that goes beyond the capabilities of your average noise-ridding plug-in, it is a versatile solution that should find many uses in your productions.
Redunoise is especially effective at dealing with noisy single tracks, although it will work on full mixes as well. Results are always musically pleasant, which is rarely the case with broadband noise reduction solutions.
Specs and useful features
High-resolution spectrum analysis is the key to the effectiveness of Redunoise. This feature precisely identifies the offending area of audio material, enabling the plug-in to eliminate it without affecting the rest of the signal.
Redunoise comes with two flavors of filtering: analog-prototype and linear-phase. Between these two, you can handle pretty much any flavor of noise, from fairly simple hisses to more complex noises that cover different bands of the audio spectrum. Universal audio vst free. There is even a noise learn function for quick and easy cleanup of audio material.
User impressions
Redunoise has found plenty of avid fans among those that routinely work with outdoor recordings. Useful for reducing many types of background noise, the plug-in is also effective at separating sounds according to frequency range.
Surprisingly, some users found Redunoise to be quite an effective EQ unit. With its many controls suited for creative EQing, Redunoise is way more than just your run-of-the-mill noise reduction plug-in.
Bottom-line
Redunoise is a versatile noise reduction plug-in that has some surprising tricks up its sleeve, particularly in the realm of creative EQing. Although it is free, it definitely measures up to even some of the best payware offerings available.
Sound Recovery by Bitsonic
If you have ever had to struggle with restoring signals from poorly recorded or severely degraded audio, Bitsonic Sound Recovery might be exactly what you need, and for free. It’s designed specifically for repairing extremely low-quality audio.
Sound Recovery fills a gap in the audio editing world that most EQs and noise reduction systems simply cannot fill. With a unique set of features onboard, this plug-in should find value among audio restorers and even forensic professionals.
Specs and useful features
Sound Recovery essentially recreates mid-frequency content from low-frequency harmonics. By adding subtle levels of harmonic distortion, this process makes audio clearer and more understandable, even with most of the mid-frequency content missing.
Sound Recovery also has a multiband denoiser feature that makes it a very capable noise reduction solution. Effective at reducing the noise from the low-mid and mid-high frequencies, this provides a much more subtle alternative to heavy-handed EQing that often thrashes the entire audio signal.
Other features let you further restore audio with depth and precision. The “split freq” feature lets you define the most troublesome frequency range, while the dedicated “recovery” feature adds even more distortion for enhanced clarity.
User impressions
Sound Recovery is a fairly capable noise reduction plug-in. The low pass filter and the denoiser feature effectively reduce noise in a broad range of frequencies. But most users seem to use the plug-in for restoring lost audio content, which is hardly surprising given its capabilities in that area.
Bottom-line
Sound Recovery might not be your first choice if you need a comprehensive range of noise reduction features. But if your focus is on restoring the intelligibility of recorded audio, this plug-in is a must-have.
Noise Reduction by Christian Budde
Christian Budde Noise Reduction is a spectral noise gate designed for removing unwanted noise from a variety of audio sources. By targeting specific frequency ranges, its spectral gate effectively filters out noise with a fair degree of customizability over attack and release times.
Specs and useful features
Noise Remover Vst Free Torrent
Noise Reduction goes beyond the capabilities of most spectral noise gate plug-ins by offering a good range of customization options. The soft knee control is fully adjustable over a very wide range, so you can avoid many of the sonic anomalies that other spectral noise gates impart to audio material.
The plug-in comes with a few different options for FFT sizes, and you could even choose from many window functions.
Noise Reduction sets itself apart from other plug-ins of its kind with its continuous and consistent characteristic. The plug-in’s various features let you clean up only the offending bands of noise without introducing artifacts that are often more bothersome than hissing and crackling.
Noise elimination plug-ins generally have low CPU requirements, but Noise Reduction places especially low demands on computer resources. You could easily strap on as many instances as you need for your various tracks, and still have enough CPU power for your other plug-ins.
User impressions
Users found Noise Reduction to be effective at getting rid of noise from problematic soundboard recordings and audio transferred from tape. For many users, the ability to identify the noise from a quiet section of audio is useful for treating the rest of the material.
Bottom-line
Like all plug-ins of its kind, Noise Reduction is most effective when used sparingly at moderate settings. It won’t win any awards for precision and total control, but it will be enough to get the job done in most cases.
FFT Tools by Smart Electronix
Smart Electronix FFT Tools turns to the graphics world for inspiration in dealing with unwanted noise in audio material. Based on the image-processing technique employed in graphics programs such as Adobe’s Photoshop, it utilizes spectral-based processing along with a slew of intriguing features.
FFT Tools makes it possible to clear out the hash from specific audio frequency ranges while leaving the surrounding frequencies unscathed. The plug-in can also be used to warp sound in numerous interesting ways, many of which go beyond the capabilities of even dedicated sound-mangling plug-ins.
Specs and useful features
One of the most intriguing features of FFT Tools is “Warp”, which swaps high and low frequencies with each according to a defined frequency band. The results can be pretty wild, to say the least, although moderate settings can produce more musical results.
Noise reduction functions are mostly handled by the “Levels” feature, which gives you a good degree of control over the spectral dynamics. This feature lets you liven up dull audio or remove background noise equally well.
FFT Tools also comes with a “Kontrast” control for saturating specific bands of the frequency range. If more robotic sounds are your thing, the aptly-named “Robotizer” should find plenty of use in your productions.
User impressions
Most people seem to use FFT Tools for generating weird textures and alien-sounding sonic landscapes. Although it does a decent enough job at noise reduction, it seems better suited for creative sound design than cleaning up noisy material.
Bottom-line
FFT Tools probably won’t be the first thing that comes to mind if you need to clean up noisy audio. Although it will work as a noise reducer in a pinch, this plug-in is more useful as a tool for generating unusual sounds and textures.
One of the greatest challenges every engineer faces is unwanted noise. As we know from discussing studio soundproofing, bending sound to our will takes a bit of effort. The nature of recording means that sometimes unwanted ambiance or other sounds will find a way in. And if you lack proper soundproofing, this battle becomes that much more difficult. Fortunately, we have a remedy: noise removal.
How does noise removal work?
Noise Remover Vst Free
With any signal comes noise. The stronger the signal, the less noise. But no signal lacks noise entirely. So, some smart engineers began looking for ways to reduce as much noise as possible in any given signal. Effective noise reduction techniques in music production began in the 1960s with Ray Dolby. At that time, the Dolby Tape A method emphasized four frequency bands during recording, then lowered them during playback. A decade later Philips came up with its own noise removal method, dynamic noise limiting (DNL). This circuitry could affect any source when played back, making it widely popular.
These early pioneers of noise removal paved the way for more recent digital noise removal algorithms and plugins. However, the principle remains the same from the ’60s to now. Without getting too technical, noise removal programs hone in on specific frequencies, either during recording or playback. Once targeted, the level of these frequencies can be reduced. You can determine how much you want to reduce these frequencies by setting parameters, as well as what you don’t want to be affected.
What causes unwanted noise?
In short, energy. We don’t live in a vacuum out in space. The air around us carries sound waves. Also, anything that produces or uses electricity gives off a subtle (or not so subtle) hum. This could be your refrigerator down the hall, your Peavey 6505+, or the audio cables for your direct input bass track. Some ambient sound will creep into even the most vacuum sealed, soundproofed lockbox of a studio.
Aside from background noise, clicks, crackles, and pops can occur for a variety of reasons. When recording vocals or voiceovers, these noises can occur simply from mouth movements. The slip of a tongue or lip can result in some crazy (and funny) noises. Besides human error, electronic glitches with cables, DAWs, preamps, and any other piece of gear can also yield some startling roars.
The good news here is that most of these hums, hisses, clicks, and crackles are either brief or consistent. For instance, background noise given off by a circuit usually hums around the same frequency throughout. And crackles or pops typically only last a fraction of a second. These facts make noise removal much easier.
Different techniques to remove or reduce noise
The advent of noise removal opened the door for much higher quality recordings. But with great power comes great responsibility. If we consider how noise removal works, it becomes clear that going too far could seriously interfere with the raw audio, eliminating wanted frequencies or idiosyncrasies. On the other hand, playing it safe won’t do much to enhance the audio quality. Let’s look at some methods for reducing noise, and how to strike that perfect balance.
Noise Remover Vst Free
1. Noise removal tools in audio editors
The free audio editing program Audacity offers its own noise removal effect. The noise removal software analyzes a selected portion of audio that features the unwanted sound (“Get noise profile”). Once it collects this data, the program will pick out that specific noise and reduce its prevalence in another selected segment. You can change some parameters like the amount of noise reduction, sensitivity, smoothing, and attack/release time.
For a free effect within a free program, this noise remover does a great job, though it takes some time to get used to the parameters. One drawback of this method is that it destructively alters the audio. You can always undo any change you make, of course, but any final change augments the waveform permanently. So always keep a copy of the raw audio if using an audio editor.
Some of the best audio editing programs feature powerful noise removal tools out of the box. Both SoundForge Pro and WaveLab Pro include their own versions of noise removal technology. The former has a DeHisser and DeClicker. The latter offers a DeClicker, DeCrackler, DePopper, DeBuzzer, and DeNoiser. Each of these is designed for specific types of unwanted noise and can greatly improve a muddy mix.
2. Gating and automation
Though technically not a noise removal tool, noise gates can come in handy for reducing unwanted sound when there’s no signal. A noise gate works a lot like a compressor or limiter. Basically, you set the threshold so that no sound below that level can enter. This way you can prevent a subtle hiss from making its way into your recording. Parameters like attack, release, and hold can be adjusted. Some modern noise gate plugins feature a lookahead option, which turns the gate on just before transients.
Automation offers another option. Using mix automation to reduce noise shouldn’t be your first option unless you’re dealing with a very short sample. For instance, if you’re editing a voiceover line or two, using automation to silence the passages between sentences can make a big difference. Or maybe one signal is hotter than another, resulting in increased amplitude and noticeable hiss. You can use automation to bring these sections down as well. It won’t eliminate the hiss, but it provides a good start.
3. High-end plugins
In addition to the built-in tools of audio editors and DAWs, several great noise reduction plugins exist as well. Waves boasts two of the most effective ones: X-Noise and WNS Noise Suppressor. X-Noise primarily deals with unwanted hiss in audio tracks. The simple layout gives you all the control you need: threshold, attack/release, shelf, and gain reduction. The WNS plugin goes even further, and really comes in handy in post-production. The plugin offers six bands of real-time suppression control, full automation, recall, and more. Other great plugins include Cedar Audio DNS One, iZotope RX2 and Sonnox Oxford Denoiser.
Conclusion
While the terms “noise removal” and “noise reduction” are used synonymously, the latter is a bit more accurate. The truth is, you simply can’t remove 100% of unwanted noise. You can get pretty darn close, where only Superman or a really healthy dog could discern it. A good mix with proper EQ and filtering will also mask a good deal of hiss or background noise.
So just remember that when it comes to any recording, the front-end comes first. No amount of post-production mastery can completely fix a bad recording filled with hisses and pops. Ask yourself, are your cables functioning well? Is your CPU fast enough? Is your room properly treated and soundproofed? In addition to these questions, consider what type of mix you’ll want in the end. If you desire a raw sound, some background noise might not break the recording. But a squeaky clean mix will require more refinement. In this way, noise removal is as much an artistic choice as a technical necessity.
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