La 2a Free Vst
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The LA-2A is arguably one of the most popular compressors ever invented. Revered for its rich, warm tone and smooth, musical compression characteristics, the LA-2A has been a favorite amongst engineers for over 50 years.
In this article, we’ll break down some of the most popular LA-2A emulations to help you determine which one is right for you.
Teletronix LA-2A
CA-2A T-Type Leveling Amplifier: Faithfully modeled after one of the most sought after studio compressors in history, the Teletronix LA-2A), it puts the si. Rough Rider is available for Windows 32/64-bit VST and Mac OS X 32/64-bit VST/AU. And that’s it folks! The plugins listed here are great if you’re not looking to break the bank, but if you do have some extra change, we highly recommend heading over to plugin boutique and checking some of the alternatives. Compressor effect free vst. Teletronix LA-2A The LA-2A was the first compressor to use a tube-driven optical attenuator to achieve gain reduction. The T4 optical attenuator is entirely program-dependent, allowing the compression ratio and release time to vary greatly based on the source material. CA-2A is a plugin emulation of the legendary Teletronix LA-2A hardware compressor. It puts the silky, smooth sound of this highly desirable unit right into any VST compatible DAW. CA-2A wears same controls as the LA-2A hardware, such as Gain (gain make-up), Peak Reduction (threshold), and a Ratio switch between compression and limiting. ThrillseekerLA is a freeware compressor based on the classic LA-2A Leveling Amplifier hardware unit. Developed by Variety of Sound, this compressor plugin is a must-have if you’re still using a 32-bit digital audio workstation on Windows. Thanks to our reader Synthicide for mentioning ThrillseekerLA in the comments!
- Jun 11, 2019 CLA-2A vs. CLA-3A: Classic Compressor Match-Up The LA-2A and LA-3A are two of the most famous compressors of all time and have long been favorites for vocals, bass and other instruments. See our comparison between the tube and solid-state models and learn how to best use them for your tracks.
- Produced in cooperation with Softube, the VC 2A also offers a host of additional features not available on the original. An added sidechain input not only allows for characteristic ducking and pumping effects, but also provides possibilities for a wide range of creative compression techniques.
The LA-2A was the first compressor to use a tube-driven optical attenuator to achieve gain reduction. The T4 optical attenuator is entirely program-dependent, allowing the compression ratio and release time to vary greatly based on the source material.
The average attack time is fixed at 10 milliseconds, but the LA-2A’s signature sound comes from its unique release characteristic. The initial release time is fixed at 60 milliseconds for 50% of the release, and anywhere from one to 15 seconds for the full release, depending on the program material.
Due to the largely automatic nature of the LA-2A, it features very simple controls: Peak-Reduction knob, Gain Control for make-up gain, and a Limit/Compress switch to adjust the compression ratio.
About the Audio Files
We put some of our favorite LA-2A emulations to the test on drums, bass and vocals with approximately 3 to 5 dB of gain reduction.
Here are unprocessed versions of the three audio files …
Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_1.wavBass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_1.wavVocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_1.wav1. UAD Teletronix LA-2A
Universal Audio offers one of the most accurate LA-2A emulations available, which makes sense since they own the patent. While it doesn’t offer any new features, it does an excellent job of capturing the LA-2A’s signature sound and analog warmth.
In addition to the standard LA-2A Classic, Universal Audio also offers the LA-2A Classic Leveler Plugin Collection, which features emulations of the original “Gray” Teletronix version, the reissued “Silver” UREI version, and the exceptionally rare predecessor to the LA-2A, the LA-2. Each model offers a slightly different take on the iconic sound.
For the purposes of this shootout, we used the “classic” leveling amplifier.
As always, you’ll need some form of UAD DSP hardware to support these plugins.
UAD Teletronix LA-2A – Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_2.wavUAD Teletronix LA-2A – Bass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_2.wavUAD Teletronix LA-2A – Vocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_2.wavTeletronix® LA-2A Classic Leveler Plug-In Collection Trailer
The LA-2A is arguably one of the most popular compressors ever invented. Revered for its rich, warm tone and smooth, musical compression characteristics, the LA-2A has been a favorite amongst engineers for over 50 years. In this article, we’ll break down some of the most popular LA-2A emulations to
2. PSP MixPressor2
PSP’s MixPressor2 is easily the most advanced LA-2A-style compressor available. It emulates the classic characteristics of valve and opto-compressors as well as modern compression designs.
The MixPressor2 features fully variable attack and release times, including automatic settings. It also offers options for look-ahead compression for a more modern sound, as well as selectable RMS and peak modes for a variety of sonic options.
It features a Mix control for parallel compression as well as an input for sidechain compression. It also offers a highly configurable sidechain filter — including an option to use the unit as a de-esser.
The first thing you’re likely to notice about the MixPressor2 is its rich, warm analog saturation. Load it on any channel for an instant analog vibe.
The MixPressor2 is available as part of PSP’s MixPack2.
In order to emulate the sound of a traditional LA-2A, we used the “fast” attack setting, “slow” release setting in RMS mode.
PSP Mixpressor 2 – Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_3.wavPSP Mixpressor 2 – Bass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_3.wavPSP Mixpressor 2 – Vocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_3.wav3. Brainworx bx_opto
The bx_opto by Brainworx is packed with versatile new features not found on the original LA-2A. The most notable of which is the Speed control, which allows you to dial in the transient response of the compressor. While the bx_opto does utilize the program dependent attack and release times, the Speed control enables you to shape the sound in ways the original LA-2A never could.
bx_opto also features a fully sweepable sidechain filter all the way from 20 Hz to 20 kHz. Choose between high-pass, low-pass, gentle band-pass or aggressive band-pass filter options. A dedicated Mix control lets you dial in the perfect amount of parallel compression.
In order to emulate the sound of a traditional LA-2A, we used the default Speed and Sidechain settings.
Brainworx bx_opto – Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_4.wavBrainworx bx_opto – Bass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_4.wavBrainworx bx_opto – Vocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_4.wavBrainworx bx_opto & bx_opto Pedal Demo
The LA-2A is arguably one of the most popular compressors ever invented. Revered for its rich, warm tone and smooth, musical compression characteristics, the LA-2A has been a favorite amongst engineers for over 50 years. In this article, we’ll break down some of the most popular LA-2A emulations to
4. Native Instruments VC 2A
The VC 2A from Native Instruments sounds silky-smooth and offers an array of updated features. It still utilizes the original automatic attack and release controls, but it introduces a high-pass filter to avoid pegging the needle when compressing bass-heavy signals.
It also features a dedicated sidechain gain control for sidechain compression and a wet/dry control for parallel compression.
And at just $99, it’s one of the most affordable emulations on the list.
Native Instruments VC 2A – Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_5.wavNative Instruments VC 2A – Bass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_5.wavNative Instruments VC 2A – Vocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_5.wav5. IK Multimedia White 2A Leveling Amplifier
IK Multimedia’s While 2A Leveling Amplifier nails the unique program dependent characteristic of the original LA-2A. However, it doesn’t emulate the analog tube characteristics of the analog units, making it an excellent choice for smoothing out dynamic performances with transparency.
The White 2A Leveling Amplifier is also available as part of their T-RackS 5 Deluxe and T-RackS 5 MAX.
IK Multimedia White 2A – Drums
https://theproaudiofiles.com/wp-content/uploads/2019/05/Drums_6.wavIK Multimedia White 2A – Bass
https://theproaudiofiles.com/wp-content/uploads/2019/05/Bass_6.wavIK Multimedia White 2A – Vocals
https://theproaudiofiles.com/wp-content/uploads/2019/05/Vocals_6.wavHonorary Mentions
These are just five of our favorite LA-2A emulations — there are dozens available, each with their own sound.
McDSP’s 6030 Ultimate Compressor features two modules modeled after the LA-2A: the Opto-C and the Opto-L, modeled after the compression and limiting characteristics of the original unit.
Waves offer a spot-on emulation with their CLA-2A, with optional analog noise.
Cakewalk also offers a meticulously modeled emulation with a variable high-pass filter called the CA-2A.
And the best part is, most of the plugins on this list offer free trials, so you can try them out for yourself!
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SMOOTH AND WARM
- Easy to use, automatic attack and release
- Medium to slow response for natural sound
- Sidechain input and Low-Cut Detector
- This product is only available as part of VINTAGE COMPRESSORS and can no longer be bought separately.
THE VC 2A — SMOOTH AND WARM
ELECTRO-OPTICAL COMPRESSOR
This effect is also available as part of the specially-priced VINTAGE COMPRESSORS bundle.
IMPROVING ON THE ORIGINAL
A dry control makes parallel compression with the VC 2A a reality and a Low-Cut dial effectively tells the compressor to ignore (i.e. not compress) anything below the set frequency. This essential enhancement helps to avoid over-compression caused by unruly bass frequencies.
GETTING STARTED
The VC 2A also delivers highly satisfying results on bass. The slow release means that the compression remains smooth, avoiding distortion caused by overly fast release settings on other compressors.
DOWNLOAD FREE DEMO
La 2a Free Vst Plugins
ABOUT SOFTUBE
As well as working with NATIVE INSTRUMENTS, they make a wide range of their own products. Their reputation in the industry is exceptional.
ELECTRO-OPTICAL TECHNOLOGY
Unless cruelly mistreated, electro-optical compressors sound smooth and natural.
La2a Vst Free Mac
AT A GLANCE
| Product type | High-quality vintage electro-optical tube compressor emulation |
| For use with | All popular host sequencers as a native plug-in |
| Effect category | Studio Compressors |
| Size (Mac / PC) | Mac: 133 MB, PC: 109 MB |
| User manual | Download Manual |
SYSTEM REQUIREMENTS
La2a Free Vst
Windows 7, Windows 8, or Windows 10 (latest Service Pack), Intel Core i5 or equivalent CPU, 2 GB RAM
An Internet connection and a graphics card that supports OpenGL 2.1 or higher are required to download and activate this product. Once installed and activated, the product can be used offline.
Supported interfaces:
Windows (64-bit only): VST, AAX
Mac OS X (64-bit only): VST, AU, AAX